Printmaker Alan Kitching is blurring the boundaries between handcrafted & digital art

"The craft ethos is coming back into life somehow...people want to touch it again, they want to feel that someone's made this; it hasn't come from a machine or a factory, somebody's actually sat down and thought about it and used their eyes and their hands and they've made this thing..."

Listening to Alan Kitching talk about the practice and art of his craft is an inspiring thing. A leading practitioner in letterpress printing, typography and design, Alan uses only traditional methods for printing and refrains from using technology to aide his artistic process. Alan's knowledge, talent and ongoing passion for the authentic, age-old printing process is encouraging a resurgence in the design world. Many digital designers are especially looking to the qualities found in good craftsmanship to incorporate into the aesthetic of contemporary digital design.

Writers and critics have been calling it 'a renaissance of craftsmanship'. In an age where technology dominates almost every aspect of life, the past decade has welcomed the rapid return of the handmade quality, aesthetic & process into digital design. Alan has developed a style that allows him to move and work with the contemporary times but also to stay loyal to the element of craft. Something that, upon close observation, is always evident in his quite graphic work: the imperfect, tactile, subjective, human, natural qualities that can be found in craftsmanship.

His recent collaboration with Monotype is a perfect example of how Alan can adapt and thrive in the digital age. Two of the biggest typographic forces who are at the top of their game in their respective fields; one works with his hands, the other works with technology. Monotype are global trailblazers in type and home to some of the world's most popular typefaces including Times New Roman, Gill Sans and Arial. The collaboration with Alan is first and foremost a celebration of type, but it was also a chance to see what qualities the handcrafted element can bring to typefaces that were conceived digitally.

The collaboration process

Alan collaborated with Monotype to produce a collection of work that would pay tribute to five influential graphic designers of the past century: Tom Eckersley, Abram Games, FHK Henrion, Josef Müller-Brockmann and Paul Rand, honouring their life and work. He chose individual typefaces from the Monotype archives for each designer, he then created his own hand-cut letters out of card to be used on the printing press. He produced five pieces for the exhibition that all feature overlapping type; choosing distinct colours and compositions that would represent the work of each individual designer. The monographs were then mass screen-printed and made into leaflets to accompany the exhibition.

The finished pieces blur the line between handcrafted and digital art, even so, on close observation the craft element shines through in the finer details; a brush stroke or a tiny bleeding of ink into the paper, these are some of the unavoidable and beautiful qualities of handcrafted that can add depth and character to the art of digital design.

'The element of craft has been lost in design, to see Alan's work re-invents that.'

- James, Creative Director at Monotype

The final monographs by alan kitching / monotype

The final monographs by alan kitching / monotype

We have a fantastic print workshop coming up at Gather this year, run by our good friend Nick Hand. Have a go at this beautiful craft yourself & book tickets for Gather here

Alan's latest book, Alan Kitching: A Life in Letterpress, was released in April this year. Read more about the beautiful book & Alan himself in an article by It's Nice That

The video below shows a glimpse behind the scenes of the Kitching/Monotype collaboration process, well worth a watch!



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Nick Hand revives & celebrates the artisan craft of letterpress printing

Nick brings age-old machinery, technique & skill to his Gather workshops. Now considered an artisan craft, letterpress printing is beautifully revived and celebrated by Nick and his letterpress team, and then shared with our eager Gather guests.

Nick will be joining us for the 2nd time at Gather this year. He will teach you all about the art of printing with presses, an authentic mode of printing that is often overlooked in today's digital world. But it is an art-form that should never be forgotten. Printing in this way creates more than just a beautiful finished product, it becomes an art from start to finish. Every element of the process needs artistic attention: choosing your paper, letters, ink, composition... a satisfying and utterly fascinating workshop with beautiful outcomes.

A bit more about The Letterpress Collective...

Bringing slumbering presses back to life to engage with artists, writers and community projects in Bristol. The Letterpress Collective teaching both type composition and printing skills.
The Letterpress Collective has spent 2013 gathering beautiful wood and lead type as well as collecting amazing printing presses including a lovely Heidelberg Windmill Platen (winched out of the store MShed by dockside crane), a Stephenson Blake proofing press and a set of nice little Adana hand presses.
Silently, and without anyone really noticing, the last commercial letterpress printer shut its doors in Bristol in 2012 after maybe 600 years of continuous work in the city. This is our chance to learn from the last of the printers and compositors in the city so that a new generation can understand and learn the thrill of working a small press and seeing your creation in ink on paper.

find out more about Gather and book your tickets here

Visit the letterpress collective website here



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Book here